C++软件设计（影印版）
出版时间：2023年03月
页数：415
“这本书将提高几乎所有C++程序员的业务水平。书中充满了实用的设计模式和令人惊叹的想法。我从这本书中学到的东西远超预期。”
——Mark Summerfield
Qtrac有限公司所有者
好的软件设计对于项目的成功至关重要，但设计软件并非易事。你需要对设计决策的结果有深刻的理解，并很好地了解可用的设计方案。通过本书，有经验的C++开发人员将对使用这种现代语言的软件设计有一个透彻的、实用的、前所未有的理解。
C++培训师兼顾问Klaus Iglberger解释了如何管理依赖性和抽象，提高软件实体的可变性和可扩展性，以及应用和实现现代设计模式来帮助你利用现今的一切可能性。软件设计是软件项目最重要的一环，因为它影响到软件最重要的属性：可维护性、可变性和可扩展性。
● 学习如何根据软件设计评估你的代码
● 理解什么是软件设计，包括可变性和可扩展性等设计目标
● 探索每种设计方法的优缺点
● 学习如何使用设计模式解决问题和表达意图
● 选择正确形式的设计模式，以充分发挥其优势
——Mark Summerfield
Qtrac有限公司所有者
好的软件设计对于项目的成功至关重要，但设计软件并非易事。你需要对设计决策的结果有深刻的理解，并很好地了解可用的设计方案。通过本书，有经验的C++开发人员将对使用这种现代语言的软件设计有一个透彻的、实用的、前所未有的理解。
C++培训师兼顾问Klaus Iglberger解释了如何管理依赖性和抽象，提高软件实体的可变性和可扩展性，以及应用和实现现代设计模式来帮助你利用现今的一切可能性。软件设计是软件项目最重要的一环，因为它影响到软件最重要的属性：可维护性、可变性和可扩展性。
● 学习如何根据软件设计评估你的代码
● 理解什么是软件设计，包括可变性和可扩展性等设计目标
● 探索每种设计方法的优缺点
● 学习如何使用设计模式解决问题和表达意图
● 选择正确形式的设计模式，以充分发挥其优势
- Preface
- 1. The Art of Software Design
- Guideline 1: Understand the Importance of Software Design
- Guideline 2: Design for Change
- Guideline 3: Separate Interfaces to Avoid Artificial Coupling
- Guideline 4: Design for Testability
- Guideline 5: Design for Extension
- 2. The Art of Building Abstractions
- Guideline 6: Adhere to the Expected Behavior of Abstractions
- Guideline 7: Understand the Similarities Between Base Classes and Concepts
- Guideline 8: Understand the Semantic Requirements of Overload Sets
- Guideline 9: Pay Attention to the Ownership of Abstractions
- Guideline 10: Consider Creating an Architectural Document
- 3. The Purpose of Design Patterns
- Guideline 11: Understand the Purpose of Design Patterns
- Guideline 12: Beware of Design Pattern Misconceptions
- Guideline 13: Design Patterns Are Everywhere
- Guideline 14: Use a Design Pattern’s Name to Communicate Intent
- 4. The Visitor Design Pattern
- Guideline 15: Design for the Addition of Types or Operations
- Guideline 16: Use Visitor to Extend Operations
- Guideline 17: Consider std::variant for Implementing Visitor
- Guideline 18: Beware the Performance of Acyclic Visitor
- 5. The Strategy and Command Design Patterns
- Guideline 19: Use Strategy to Isolate How Things Are Done
- Guideline 20: Favor Composition over Inheritance
- Guideline 21: Use Command to Isolate What Things Are Done
- Guideline 22: Prefer Value Semantics over Reference Semantics
- Guideline 23: Prefer a Value-Based Implementation of Strategy and Command
- 6. The Adapter, Observer, and CRTP Design Patterns
- Guideline 24: Use Adapters to Standardize Interfaces
- Guideline 25: Apply Observers as an Abstract Notification Mechanism
- Guideline 26: Use CRTP to Introduce Static Type Categories
- Guideline 27: Use CRTP for Static Mixin Classes
- 7. The Bridge, Prototype, and External Polymorphism Design Patterns
- Guideline 28: Build Bridges to Remove Physical Dependencies
- Guideline 29: Be Aware of Bridge Performance Gains and Losses
- Guideline 30: Apply Prototype for Abstract Copy Operations
- Guideline 31: Use External Polymorphism for Nonintrusive Runtime Polymorphism
- 8. The Type Erasure Design Pattern
- Guideline 32: Consider Replacing Inheritance Hierarchies with Type Erasure
- Guideline 33: Be Aware of the Optimization Potential of Type Erasure
- Guideline 34: Be Aware of the Setup Costs of Owning Type Erasure Wrappers
- 9. The Decorator Design Pattern
- Guideline 35: Use Decorators to Add Customization Hierarchically
- Guideline 36: Understand the Trade-off Between Runtime and Compile Time Abstraction
- 10. The Singleton Pattern
- Guideline 37: Treat Singleton as an Implementation Pattern, Not a Design Pattern
- Guideline 38: Design Singletons for Change and Testability
- 11. The Last Guideline
- Guideline 39: Continue to Learn About Design Patterns
- Index
书名：C++软件设计（影印版）
作者：Klaus Iglberger 著
国内出版社：东南大学出版社
出版时间：2023年03月
页数：415
书号：978-7-5766-0553-2
原版书书名：C++ Software Design
原版书出版商：O'Reilly Media
The animal on the cover of C++ Software Development is is the common crane (Grus grus, or “crane crane”). Also known as the Eurasian crane, the common crane is most often found throughout the Paleartic region, which spans northern Europe, northern Asia, and North Africa, though isolated groups have been seen as far east as Ireland and as far west as Japan. The largest nesting populations of common cranes can be found each year in Russia and Scandinavia.
A large, stately bird, the common crane is of medium size among crane species, with a body length of 39–51 inches and a wingspan of 71–94 inches, and weighing 10–12 pounds on average. It has a slate-gray body with a black face, a black-and-white neck, and a red crown. Every two years or so, this migratory bird molts its feathers entirely, remaining flightless for six weeks while new feathers grow in. During migration, flocks of four hundred individuals or more may travel together. These flocks have been observed flying at altitudes of up to 33,000 feet, the second highest of any bird species.
Like all cranes, the common crane is omnivorous, eating plant matter as well as insects, amphibians, rodents, and other small animals. The cranes typically forage in small groups on land or standing in shallow water, probing with their bills for food.
Cranes have featured in human art and iconography since ancient times, appearing in Aesop’s Fables, inspiring traditional dances such as one performed in Korea since 646 CE, and having association with gods in ancient South Arabia and Greece, to share just a few examples. Several styles of martial art, particularly kung fu, have taken inspiration from the graceful movements of the crane, as popularized in the 1984 hit film The Karate Kid.
With a global population of around six hundred thousand as of 2014, the common crane has been classified by the IUCN as being of least concern, making it one of only four species of crane not considered threatened or dependent on conservation.
A large, stately bird, the common crane is of medium size among crane species, with a body length of 39–51 inches and a wingspan of 71–94 inches, and weighing 10–12 pounds on average. It has a slate-gray body with a black face, a black-and-white neck, and a red crown. Every two years or so, this migratory bird molts its feathers entirely, remaining flightless for six weeks while new feathers grow in. During migration, flocks of four hundred individuals or more may travel together. These flocks have been observed flying at altitudes of up to 33,000 feet, the second highest of any bird species.
Like all cranes, the common crane is omnivorous, eating plant matter as well as insects, amphibians, rodents, and other small animals. The cranes typically forage in small groups on land or standing in shallow water, probing with their bills for food.
Cranes have featured in human art and iconography since ancient times, appearing in Aesop’s Fables, inspiring traditional dances such as one performed in Korea since 646 CE, and having association with gods in ancient South Arabia and Greece, to share just a few examples. Several styles of martial art, particularly kung fu, have taken inspiration from the graceful movements of the crane, as popularized in the 1984 hit film The Karate Kid.
With a global population of around six hundred thousand as of 2014, the common crane has been classified by the IUCN as being of least concern, making it one of only four species of crane not considered threatened or dependent on conservation.
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